Handcrafts

Home »On-line Shop »Handcrafts

According to Inca beliefs the legend explains in the old days when humans still lived like animals, four men, and four women, who called each other brothers and sisters, climbed out of the middle of three windows. The brothers were named Manco Capac, Auca, Cachi, and Uchu. The eldest sister was called Mama Ocllo by the others. The sun God Inti was sent down to earth (Viracocha). He clothed Manco Capac in golden armor and handed him a golden staff. “You and your brothers are my sons go out and subdue all the tribes.”

 
Photo Description Price

Then he gave them kernels of corn, “find a land where corn will flourish and there you must build a city for yourselves and a temple for your father the Sun.” He gave the other brothers golden disks to wear as ear pendants. Then he stepped down from the rock on which he stood and returned to his golden house, the Sun. The brothers went and when they reached the mountain height of Huancauri, a quarrel started. Manco, Auca, and Uchu united against Cachi whom they feared because he was a magician. They enticed him into a cave and then blocked the entrance with heavy boulders. Cachi was so enraged that he turned himself into a stone. The youngest brother, Uchu, remained in Huanacauri, and then he served the Sun until he too turned into stone. The same happened to Auca before they reached their destination.

 

 

Call us

Only Manco Capac and Mama Ocllo remained, she took the golden staff and hurled it, and it fell into the valley of Cuzco (the naval). There it buried itself so deeply into the ground that there was no trace of it, so she took this as a sign that they should settle there.
            The dynasty continued with Sinchi Roca, Lloque Yupanqui, Mayta Capac, Capac Yupanqui, Inca Roca, Yahuar Huacac, Viracocha Inca, Pachacutic, Topac Inca Yaupanqui, Huayna Capac, Huascar, and finally Atahualpa. All these men where not only lords of the Inca Empire, but also direct descendants of the Sun, and they were worshipped even after death. Manco Capac is the first Inca man and represents all the men in Tawantinsuyu.

Call us

Inca Way of Life
To the Incas, corn was a gift from the Sun God, Inti. It was the principle plant that was helping them in their expansion. The Incas had and advanced and sophisticated system of agriculture. They had hundreds of different varieties of corn.

Call us

As food they used corn in different ways, made bread, soup, and the sacred ceremonial drink, Cicha (corn beer). The Inca king would be the only person to drink from the Golden Kero (a ceremonial cup); the others would use wooden, clay and sometimes copper Keros. But only the Inca was worthy enough to use golden items for he was a direct descendant of the Sun, Inti.


Call us

The llama was perhaps the most sacred of the animals; for it was the llamas that were used as packed animals to transport their goods and when needed they were killed to sometimes feed the troops while on war campaigns. The Andean people domesticated the llama and were very attached to them, many times decorating them with beautiful vibrant colors. The Incas made clothing and weavings from the llama and alpaca. The Vicuna (alpaca) was undomesticated and lived in the high mountain peaks. Every year the Inca and his men rounded them up by the hundreds and hunted them for their warm coats and delicious meat. They cut the meat into long strips and dried them up in the sun to make “charqui” (today known as jerky). Only the Inca wore clothing made from the very sacred and rare Vicuna. 
             Gold was very sacred to the Incas, not for their price value, but for their spiritual value. To the Inca Empire gold was the sacred sweat of the Sun, and silver was also sacred, and it represented the tears of the moon.

 

Rumiñahui, Ruminavi, Rumiñagui, or alternatively Rumiaoui, born late 15th century, died June 25, 1535, was an Inkawarrior who, after the death of Emperor Atahualpa, led the resistance against the Spanish in the northern part of the Inca Empire (modern-day Ecuador) in 1533.

Born in Pillaro in the modern province of Tungurahua , Ecuador his given name was Ati II Pillahuaso. Inca historians tend to believe that he was Atahualpa's half brother, born from a native noble woman. When Francisco Pizarro imprisoned Atahualpa and held him in the Ransom Room, Rumiñahui marched towards Cajamarca to deliver a huge amount of gold. But when the Spaniards broke their word, executing Atahualpa and slaughtering his troops, Rumiñahui returned to the kingdoms of Quito and is believed to have ordered the Treasure of the Llanganatis thrown off a cliff into a lake or crater.

 

 

ABOUT THE ARTIST

For three generations the Andrade family have been making the finest woodwork that has been only sold to private customers all over the world.
    
    In 1945 back in their native land, Quito Ecuador, Jose Vicente Andrade was making fine furniture, a trade he learned from his grandfather. Then one day he began making wood carvings of Inca Kings, and generals and other characters from the Pre- Columbian era. He taught the trade to his sons and together they began what today is known as traditional native art. At first they sold exclusively to U.S. and European tourist and later the Andrade family had established themselves as nationally renowned craftsmen. After his death in 1972, his sons inherited and continued the business.
    
    In 1979 Victor Ecuador Andrade, the second son moved to NYC with his family. Since then he has been doing special jobs for some of the best woodworking companies and furniture designers in the U.S. such as Woodtex Novelty Company, Budd Woodworking, Empire State  Woodworking, American Wood Column, Guerin P. C. Inc. Jacobson Woodworking, Round Tree Country Reproductions to name a few.
    
     For the past twenty years, Eduardo along with his son Alvaro have been making exclusive work for the best furniture designers around the U.S. and the world. More than twenty years after Jose Vicente Andrade's death the Andrade family, at the pursuance of  Victor's younger son, Alvaro, have now returned to realize Jose Vicente's dream of making their traditional native art famous.

    "We feel very proud of making this art work once again and we want to share it with the whole world."

    502 years ago Incan Art and other Pre-Columbian Art didn't have a chance to receive the credit that it deserves, since it was mostly gold and silver it was immediately melted down and shipped to Europe.

    Some of the original artwork have been saved and some recently found. These have served as models for these replicas.

   " We feel the prophecies of our people are coming true, we must go back to the beginning....back to the old new world."

    Some are gilded using genuine 22 karat gold and genuine silver leaf. In order to offer different price ranges, some prices are gilded with imitation gold and silver leaf. We also hand paint, lacquer and do some traditional wax finishes.

    Mama Ocllo

Inca women had many important roles in all levels of Inca society. They were the only ones who could plant the seeds because they are the scared mothers who give us life.
     Some women were chosen for their beauty to be the virgins of the sun. Women from the four corners of the Empire were sent to the Acllhuasi; the school for the "chosen maiden," who were educated to become temple palace servants or members of the Inca's harem.

 Other women were experts in all different sorts of arts and crafts, all women weaved and made their own clothing for their family. Inca society had a role for all its people, the women were not excluded. Soon after birth, as they got older the women were given duties relating to their own abilities. Even when they became old they were given small duties, such as chewing corn for their ceremonial chicha (corn beer). Some of them were chosen for sacrifice as an offering to Inti, all went willingly for it was an honor. Mama  Ocllo is the first Inca mother and represents all the women of the Tawantinsuyu (four quarters of the empire).

 

 

 

 

 

©1992-2012 Raices Entertainment, Inc., All Rights Reserved. Raices Group and the Raices Group logo are registered trademarks. No duplication in full or in part of any of the contents or material in this website is allowed without prior written consent from Raices Entertainment, Inc. Contact us @ 347.885-7698.